MUJER DE PORCELANA. OIL PAINTING 10 COLORADO.

The process of oil painting varies from artist to artist, but often includes
certain steps. First, the artist prepares the surface. Although surfaces like linoleum, wooden panel, paper, slate, pressed wood, and cardboard have been used, the most popular surface since the 16th century has been canvas, although many artists used panel through the 17th century and beyond. Panel is more expensive, heavier, harder to transport, and prone to warp or split in poor conditions. For fine detail, however, the absolute solidity of a wooden panel gives an advantage.The artist might
sketch an outline of their subject prior to applying pigment to the surface. "Pigment" may be any number of natural substances with color, such as sulphur for yellow or cobalt for blue. The pigment is mixed with oil, usually linseed oil but other oils may be used as well. The various oils dry differently, creating assorted effects.

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OIL PAINTING 10 COLORADO. CARAS

OIL PAINTING 10 COLORADO. AGUA DEL RIO.

The paint tube was invented in 1841 and artists were liberated from the studio. Artists no longer needed to grind each pigment by hand and carefully mix the binding oil in the proper proportions. Paints were made in bulk and sold in tin tubes with a cap. The cap could be replaced and the paints preserved for future use. The manufactured paints had a balanced consistency that the artist could thin with turpentine if he chose. No longer bound to the studio, they could work outside in direct sunlight, misty fog, at dawn or twilight.

Paint in tubes also changed the way artists applied paint to the canvas. Painting became much more spontaneous. Artists were no longer obliged to paint in careful layers of thinned pigments and varnish, although they could use that time-tested method if they chose. With paint in tubes, a greater variety of techniques could be employed, such as blending the paint on the canvas and painting directly on the raw, ungessoed surface. The effect of paint in tubes was so important that it contributed to the rise of the impressionist style. The artist Renoir said, “Without tubes of paint, there would have been no impressionism.” Thanks to the mobility that paint in tubes provided, artists could capture the light of a fleeting moment of the day, and the impressions that it provided.

Many modern paint in tubes manufactures have extensive color testing done. The results of this test will tell the artist which paint will last the longest without the colors altering after a period of time. This is important to pay attention to when selecting oil or acrylic paints.

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ARLEQUINES.

EL MUNDO NECESITA ROSAS Y NO GUERRAS.

EL MUNDO NECESITA ROSAS Y NO GUERRAS

EL MUNDO NECESITA ROSAS Y NO RENCOR

EL MUNDO NECESITA ROSAS DE AMOR!!!

ART 10 COLORADO.

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NOT SMOKE PLEASE. PAINTIG 10 COLORADO.

A painting is a artistic design or picture in paint to bring artistic effects and expressions. Painted renditions of objects, events, individuals, emotions, and virtues have been created by human beings since the very beginnings of recorded history. The various styles of painted representation that have emerged throughout the duration of mankind have served to both inspire and influence the various human cultures from which these styles are borne. The individuals responsible for the creation of the works of art that ultimately serve as tools and vehicles for human stimulation are known as artists.

FLOR DEL ROMERO Y OTRAS. FOTOS 10 COLORADO

LAS FLORES SON COMO AMORES

CON UN MONTON DE COLORES

ALEGRA NUESTRO VIVIR.

WISHING YOU THE BEST. THANKS.

DESEANDO LO MEJOR PARA TODOS.

GRACIAS

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ART HISTORY III . OIL PAINTING FLOWER.

Although some of the books listed above attempt a global approach, they are universally strong in western art history. The books use representative examples from each era in order to create a story that blends changing styles with social history. The Western narrative begins with prehistoric art such as Stonehenge, before discussing the ancient world. The latter begins with Mesopotamia, then progresses to the art of Ancient Egypt, which then transitions to Classical antiquity. Classical art includes both Greek and Roman work. With the decline of the Roman Empire, the narrative shifts to Medieval art, which lasted for a millennium. The high intellectual culture of the Medieval period was Islamic, but the era also included Early Christian art, Byzantine art, Gothic art, Anglo-Saxon art, and Viking art. The Medieval era ended with the Renaissance, followed by the Baroque and Rococo. Sometimes another period, Mannerism, is inserted between Renaissance and Baroque, which is a visual hybrid. The eighteenth and nineteenth centuries included Neoclassicism, Romantic art, Academic art, and Realism in art. Art historians disagree when Modern art began, but it was either in the mid-eighteenth century with the artist Francisco Goya, the mid-nineteenth century with the industrial revolution or the late nineteenth century with the advent of Impressionism. The art movements of the late nineteenth through the early twenty first centuries are too numerous to detail here, but can be broadly divided into two categories: Modernism and Contemporary art. The latter is sometimes referred to with another term, which has a subtly different connotation, Postmodern art.

Although textbooks periodize Western art by movements, as described above, they also do so by century. Many art historians give a nod to the historical importance of Italian Renaissance and Baroque art by referring to centuries in which it was prominent with foreign terms. These include trecento for the fourteenth, quattrocento for the fifteenth, cinquecento for the sixteenth, seicento for the seventeenth, and settecento for the eighteenth.

FLOWER. OIL PAINTING.

RED ROSE.

AMARILLAS. OLEO.

NIGHT FLOWERS. OLEO.

LILAS. WATER COLOR.

WHITE ROSES. OIL.

AMOROSAS OLEO.

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The field of "art history" was developed in the West, and originally

dealt exclusively with European art history, with the High Renaissance

(and its Greek precedent) as the defining standard. Gradually, over the

course of the twentieth century, a wider vision of art history has

developed. This expanded version includes societies from across the

globe, and it usually attempts to analyze artifacts in terms of the

cultural values in which they were created. Thus, art history is now

seen to encompass all visual art, from the megaliths of Western Europe

to the paintings of the Tang Dynasty in China.

The history of art is often told as a chronology of masterpieces

created in each civilization in the world. It can thus be framed as a

story of high culture, epitomized by the Seven Wonders of the World,

which is somehow different from vernacular expressions. The latter can,

however, be integrated into art historical narratives, in which case

they are usually referred to as folk arts or craft. The more closely

that an art historian engages with these latter forms of low culture,

the more likely it is that they will identify their work as examining

visual culture or material culture, or as contributing to fields

related to art history, such as anthropology or archeology. In the

latter cases art objects may be referred to as archeological artifacts

SAREGAMA LOTEM. FANTASTIC MUSIC.

OLEO. THE LAKE OF MY DREAM.

The history of art usually refers to the history of the visual arts of painting, sculpture and architecture . It is the history of one of the fine arts, others of which are the performing arts and literature. It is also one of the humanities. The term sometimes encompasses theory of the visual arts, including aesthetics. Considered encyclopedically, the history of art is an attempt to survey art throughout human history, classifying cultures and periods by their distinguishing features. This is undertaken by people and institutions with diverging goals, but whose efforts interrelate, including: academic art historians, museum curators, auction house personnel, private collectors, and religious adherents. Given these agendas, it is unsurprising that there are many ways of structuring a history of art, as will be outlined below.

SOCRATES

OLEOS II

DORICAS OLEOS

FLOR DE LIS OLEO.

DESPUES DE. OLEO.

FUEGO EN EL BOSQUE. OLEO.

AVE AFRICANA. OLEO.

PLATO PHILOSOPHER.

OLEOS I

AVE DEL PARAISO OLEO.

FUEGO II OLEO.

KANDY OLEO

AZUL Y ROJO OLEO

MAGICO